The ’90s brought us lots of things, some of them easily
forgettable—America Online, the Tamagotcihi, the Macarena. But it also
brought us things we’ll never forget—Bill Clinton’s cigar acumen, MC
Hammer’s pants and, of course, Philly guitar wizards Huffamoose, the
fractured remains of which still plug in their amps under a new moniker,
the Fractals. A decade of making music together in their current form
means these guys lay down tracks with skill and precision that redefine
every old-school notion you had about pop-punk. Relive the ’90s and
enjoy the bands born-again success, but please, leave the pager at home.
http://www.philadelphiaweekly.com/arts-and-culture/Calendar-April-25-May-1-148725285.html
This is the edited piece which was actually published to the calendar in the Arts&Culture section of Philadelphia Weekly Online. This counts as the first piece ever that I actually got paid for.
Wednesday, April 25, 2012
The Fractals-Second Edit
The 90’s
brought us the moderate musical success of Huffamoose. The last decade of the 20th
century also brought us the political prowess of Bill Clinton, America Online,
the Tamagotchi and the musical delight of MC Hammer. More than one distinction lies
between the Philly band and the Macarena or Video Cassette Recorders. Most obviously,
it’s the permanence of the group members. The fractured remains of Huffamoose still
plug in their amps under a new moniker, The Fractals. A decade of music making
together in their current form means these guys lay down tracks with skill and
precision that redefine every old-school notion you had about pop-punk. Re-live
the 90’s and enjoy the bands born-again success, but please, leave the pager at
home.
Never published. This is the original that I sent in and was then edited.
Wednesday, April 18, 2012
The Fractals-First Edit
Everyone knows, Philly
boys do it right, and the quartet that make up The Fractals are no exception. They
croon, they swing, they rock and roll. They tear it up with a sense of cohesion
amidst chaos. They beat drum kits and
guitars with talent and ferocity not heard locally since the underground 90’s
scene that they also had an instrumental hand in creating with their previous
musical endeavor, Huffamoose. A decade of music making under their belts means
these guys lay down smooth tracks which redefine every old school-notion you
had about pop-punk, and put other rocker vets to shame. It’s because of this
that they represent and epitomize the hard-hitting nature of the city from
which they hail, Philadelphia.
Never published. This was the first draft that I sent to Philly Weekly yesterday, and the editor told me it "reads as a long platitude." (I had to look up the definition of "platitude," it means "trite, meaningless, biased statement, often presented as if it were significant and original." Ouch. At least he was nice in the way he said it.)
Monday, April 16, 2012
Meeting at the Coast
“I almost held a wedding in Mall of America once.”
“Wait, what?”
“I almost held a wedding when I worked at Mall of
America once. I’m a pastor and I’m licensed to do weddings.”
Surprised and standing in the middle of a Teavana
store in New Jersey, I never would have guessed I worked with a pastor. Mitch
had transferred to the Deptford store only a few weeks prior. We spend almost
every shift together, dishing out tea to customers who were hard-pressed to
part with their hard earned paychecks. My jaw dropped slightly as I put my
Teavana apron on.
“You’re a pastor?” I said, my hands paused mid-knot
behind my back.
“Yeah, I have my degree in pastoral studies.”
“Oh…cool.”
***
On his baptism day, Mitch wore a traditional
Christening gown. A decent length of fabric hung beyond his legs, in a shade
between white and eggshell, the customary uniform to wear at your baptism. This
attire is the commonly accepted dress for a babies christening day. In a Catholic
Church in Minnesota, the priest was dressed in traditional barb of a long-sleeved,
white, robe with a high collar and gold-stitched detailing. The priest also
wore wire-rimmed glasses and read from the Bible while pouring cup full of Holy
Water over baby Mitch’s head as his mother held him above a bowl the size of a
bird bath. His grandfather recorded the entire event on a now out-dated
camcorder.
Half way across the nation and three years later I
experienced the same religious undertaking. My mother embroidered beads onto my
long, off-white gown. My god parents held candles as my cousin stood on tip-toe
to see what was happening through massive, prescription glasses that were high
fashion in the early 90’s. My god father, who is also my uncle, still had brown
in his hair and moustache. My god mother, who is also my aunt, was a shade
thinner, and donned a dark, floral print dress. After church my family spent
the evening gorging on catered food, while I enjoyed bottled vegetables and
napped. The VHS tape, filmed by my grandfather and packed away in my basement
illustrates this. My off white ceremonial gown is framed and hung in my dining
room at home in New Jersey.
Starting in the 1st grade, as part of the
Catholic faith I was required, mostly at
the wishes of my grandmother, to attend CCD (Continuing Catholic Development).
Classes were held every Monday from four to five p.m., for grades one through
five, and seven to eight p.m., for grades six through eight. Sessions met in
the Catholic school that was just across the parking lot from the church, in
rooms whose floors were covered in blue Berber carpet that was foreign compared
to the slick white tile floors in my public school building. Unfortunately for
them, the unpaid teachers who were sentenced to have myself and another kid in
my class at regular school, Michael, got more than they bargained for. CCD was
created to espouse the strict- no sex before marriage - abortion equals sin -
thou shalt not take the name of the Lord thy God in vain – beliefs. Even during
elementary school neither Michael nor I gave these convictions much credit.
In 1998 I was in the 2nd grade and after
two years of CCD, my mother and I went shopping for a pretty white dress. The
one we got was plain, knee-length with that scratchy material underneath the
satin, adding volume to the skirt. I got a matching veil onto which Mom sewed
by hand a delicate beading detail. The same beaded pattern was affixed by my
mother’s hand to the now elaborate white dress. I got white stockings and shiny
white shoes with a thin strap that crossed over the top of my foot and a heel
about three-quarters of an inch high. At my first Holy Communion I looked just
like every other girl in the church.
My family belongs to St. Rose of Lima, a church that
resided in a brown-brick building which seems to be cold every day of every
year. Instead of paint or wallpaper, or even ancient tacky tapestry depicting
biblical figures, the bricks also show inside. My suburban church – not
surprisingly built in the shape of a cross – provides acoustics to put any
recording studio to shame. A more than
double life-size crucifix is stationed at the far end of the building, directly
across from the main entrance with most of the pews falling in rows so that the
main aisle allowed anyone taking a seat to genuflect (I always forgot.) All the lighting is artificial. Although
elongated, arched windows line the walls every four feet or so, the glass is
stained in dark, sunlight gobbling panes to illustrate the Stations of the
Cross, when Jesus walked to his death…or something.
The day of the ceremony there were streams of soft,
white fabric draped along the ends of the pews. Fastened above this were large,
homemade, matching white bows crafted out of satin. Upon first walking into the
church there were large flower arrangements, following the same color scheme,
set atop two tables that were on either side of the main aisle. The weather
outside was wonderful; a clear, crisp spring day in New Jersey. The double-wide
front doors were left open to let in the smell and sounds of fresh
weather.
The ceremony began around mid-morning one day in
early May that year. Every girl wore a veil; every boy wore a black, blue or
white suit. Grandfathers, uncles and fathers told us we looked beautiful.
Mothers, aunts and grandmothers just couldn’t believe we were growing up so
fast. That day the words of the priest slid over my ears as visions of the
feast waiting for me at home clouded my mind, which should have been focused on
the gospel and growing within the church. Finally we walked down the aisle
between wooden pews; our hands held in prayer and received the body of Christ
for the first time.
Three years before this and halfway across the nation
Mitch also attended his first Holy Communion. Family came in from all around
and as part of the celebration of his growth within the church, food was
waiting back at home. His grandmother called him “handsome” in his miniature
black suit and tie. He went through the motions, received the holy Eucharist
and proceeded up the religious ladder.
***
In my room at home I squirmed and came up with ways
to pass the time.
“It’s not a big deal. We’re not even that religious.
Just do it.”
Walking down the stairs to the living room where my
mother sat with a cup of tea watching television, my breath caught in my chest.
I’m not sure why I felt so nervous.
“I don’t want to be confirmed.”
That look was one I would never forget.
“Why not?”
I fumbled over my words. Nervous nausea was getting
the best of me.
“Well since you can’t come up with a good enough
reason, you don’t have a choice.”
***
Freshman year of high school, I was pissed. I managed
to calm down and make my case. I stomped my feet. I whined. I spoke with Mrs.
Johnson, the woman who ran the CCD program in my parish. She was older, maybe
in her 60’s. Short, brash blonde hair, clear blue eyes and the sweetest
demeanor I have ever met. When I told her I did not want to be Confirmed tears
swelled in her eyes. I wasn’t convinced. I was 14 and angry. I did not want to
be confirmed as Roman Catholic. Eight years of religion class once a week was
enough, too much actually, for me. My mom didn’t talk to me for a week. I
didn’t want a party, or gifts. I didn’t care that my dying grandmother wished
for me to be confirmed. I wasn’t doing it.
Or so I thought.
After numerous threats and a bout of the cold
shoulder, my mother forced me into the Confirmation ceremony that transforms
teenagers into adults in the eyes of the Church. The event was held one
September evening. I wore matching black pants, v-neck shirt, jacket and Doc
Marten boots. Instead of growth this was my religious funeral and I made sure
to dress appropriately. My neighbor and friend of my mother for 30 years acted
as my sponsor during the ceremony, since my grandmother was wheel-chair bound
and could not move by herself. When the time came, my grandfather wheeled my
grandmother out to the front of the church so that she, as my official sponsor,
could be with me to receive the Eucharist. We reached the alter where the
priests were handing out those half-dollar sized wafers, Father Mike who had
heard of my fits and tantrums said “Ahhhhh. The Body of Christ.”
“Amen.”
***
In Minnesota, Mitch participated in the same event
as I, but with much less fuss. Without complaint, he dressed nicely and
participated in the Confirmation ceremony. He walked down the aisle of the
church, took the Holy Communion, turned and went back to his seat. Just another
kid going through the motions that night, the priest wouldn’t recognize him
today. Afterwards he went home, ate a fantastic meal with his family, and
called it a night, feeling no different than he did when he woke up that
morning. Except now he was an adult in the eyes of the church.
During mid-March of this year Mitch made the move
from the mid-west and his picturesque home town of Cottage Grove to the East
Coast, specifically the foreign land of South Philly. City blocks replaced
suburban developments. Long highways connecting counties over flat land were
swapped for toll bridges to New Jersey. Cheese steaks from Geno’s substituted
home cooked meals from mom.
This is where our lives meet, and divide.
After the night of my Confirmation Ceremony I never
stepped foot in another church until two years later, at the death of my
grandmother. The same one who had been my sponsor for the ritual that I never
wanted to take part in, the same one who was my second mother. I never would
have dreamed of missing her funeral. Besides this I avoided church as much as
possible. After taking care of the bare minimum my mother stopped bugging me to
attend mass. I remained on the East Coast, at home in New Jersey and found a
retail job at Teavana in the Deptford mall.
Mitch had worked at the Teavana in the Mall of
America, and when he came to South Philly to plant churches for CityLife Church,
Teavana transferred him to work at my store. Once turning 18, Mitch became a
Christian and attended North Central University with a major in pastoral
studies. Leaving Roman Catholicism for
Christianity had been the plan for a long time; it was simply a matter of
pleasing his family – especially grand mom – while he had to.
At 23, Mitch is not the typical pastor. Better
dressed than most he can often be seen wearing well-fitting jeans and a
graphic-tee, more often than not with a phrase from his favorite television
show, The Big Bang Theory, sprawled
across the chest. This attire applies when he is not working his day job as
store manager at Teavana, where he dons well tailored dress pants, only black
or gray, and a long-sleeved button down shirt, no matter what the weatherman
says. A mess of deep red-brown hair that seemingly never grows lies in thick
waves on top of his head, while color-matching facial hair covers his upper lip
and chin. His bright blue eyes are almost always hidden behind a pair of black,
wide-rimmed - but not hipster - prescription glasses. He drives a wide, silver
Pontiac Grand Prix that handles most supremely in the snow, which falls heavily
during the winter months at his home in the mid-west, but is a bear to park in
his new home of South Philly.
When not working at Teavana, Mitch oversees many of
the goings-on at CityLife. He plans events, holds worship ceremonies and most
importantly of all, he acts as therapist for youths in the group, despite not
being fond of that term.
“Some people view me like a shrink. And that’s fine.
But that’s not really what I do. My focus is more making sure everything’s
okay. We’ll walk through it together, that’s the big thing. I’m going to walk
through it with you, and be available longer than that one hour session.”
CityLife hold worship experience inside the Academy
at Palumbo, a large brown, square building that encompasses almost an entire
city block. This is also where Mitch gets the chance to spend time with kids
involved with the Church, and can assist them the best he can. Arched windows
reminiscent of a traditional church are sculpted in a line along what looks
like from the outside to be the first floor. Above this at what would be
considered the third and fourth floors are a few sets of vertical rectangular
windows, in two sets of three, with another single window to the right and left
of the two inner sets. Rather than in the center of the building, the main
entrance is a regular sized door, much like one that would be seen on a
residential home. It lies to the right, only a few feet from the corner of the
structure. Above the doorway is a large cement plaque which reads “Academy at
Palumbo.”
I haven’t been to mass since my grandmother’s
funeral. The closest thing to celebrating the Catholic faith has been my
attendance to my younger sister’s Confirmation, just a few months ago. Mitch
and I met on the East Coast, not knowing each other grew up following the same
beliefs. He went on to become a pastor, while I stay as far as possible away
from any religious matter. When not working together we sometimes find the time
to find new restaurants around his area of the city, and don’t feel the need to
avoid conversation surrounding religious matter. I don’t take offense to what
he believes; he doesn’t shove the Bible down my throat. While following
different paths, as friends we help each other along. With all the things I
have witnessed, I never knew a pastor could be so cool.
This was never published. It was written as a final narrative for my Advanced Magazine Article Writing class that I took Fall semester 2011. Long story short, my professor said this was terrible, and gave me a final grade that if it had been any lower I would have failed the class.
Sunday, April 15, 2012
Get Hip to the Square
As of late last month, Franklin Square and its
family-friendly attractions are officially open for the spring season. Play
games of Philly-themed mini-golf, enjoy nostalgic rides on the Liberty
Carousel, and snack at Stephen Starr’s SquareBurger. New to the square this
season is The Pavilion at Franklin Square, a permanent venue for events and performances,
including regularly scheduled “Once Upon A Nation” storytelling about historic
Philadelphia.
Appeared in the April 2012 issue of Where Magazine-Philadelphia
Treasure Hunt
The Philadelphia Antiques Show houses treasures from
more than 50 dealers at the Pennsylvania Convention Center April 28-May 1,
showcasing everything from ornate jewelry to select pieces of furniture, like a
rare African American Pictographic Plantation Desk circa 1870. Won’t be in town
for the show? Visit local show exhibitors including Arader Galleries for
watercolors, maps and engravings, The Philadelphia Print Shop for antique
prints and maps or Schwarz Gallery for fine American and European paintings in
Center City.
Appeared in the April 2012 issue of Where Magazine-Philadelphia
All That Jazz
Created in 2001 by a Smithsonian music curator, Jazz
Appreciation Month celebrates the genius born out of the Roaring Twenties—from
ragtime to smooth jazz, there is now something for everyone in the genre.
Celebrate at the Kimmel Center for the Performing Arts April 3 with the dynamic
Wynton Marsalis and members of the Jazz at Lincoln Center Orchestra. April 28,
come out for the Center City Jazz Festival, an inaugural event spotlighting the
area’s top up-and-coming artists at multiple venues including Time and Chris’
Jazz Café.
Appeared in the April 2012 issue of Where Magazine-Philadelphia
Friday, April 13, 2012
Afrobeats on Broadway
The stirring music of critically acclaimed musical “Fela!”
arrives to the City of Brotherly Love’s historic Academy of Music March 20-25.
Based on the true story of Nigerian musical pioneer and political activist Fela
Anikulapo Kuti, the show expresses the dynamic man’s devotion to the causes of
freedom and human dignity through Broadway-style song and dance, largely based
in the Afrobeat music Kuti originated. Now on its first world tour, this show
is set to be an international sensation, particularly with such notable
producers as Jay-Z and Philly-native Will Smith.
Appeared in the March 2012 issue of Where Magazine-Philadelphia
Well Placed
Dispersed over 40 local sites, FiberPhiladelphia
brings artists and educators together to explore the art of woven materials
taking aim at the conventions of textile art. At the Philadelphia Art Alliance,
guest curator Bruce D. Hoffman presents “A Sense of Place,” in which eight
female textile artists explore the theme of location using materials ranging
from cloth made from tree bark to expired credit cards, as in “House of Cards”
by Amy Orr.
Appeared in the March 2012 issue of Where Magazine-Philadelphia
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